Helena Sousa Estevez Peppino Bande Franziska Hatz Servais Haanen Andrew Waite Roberto Tangianu Johanna Stein

Akkordeonale 2025

Servais Haanen

Sound poetry with compressed air and a draft

AKKORDEONALE

Innovative, intoxicating and refreshingly different - the Akkordeonale is a true homage to a much-loved but often still underestimated instrument.

Here the accordion shows itself with all its charm, temperament and esprit, be it as a soloist or a portable orchestra on a strap.

Every year since 2009, Dutchman Servais Haanen brings together musicians from a variety of countries to create a surprising ensemble mix across all styles.

This year's program:

Island sounds from wild Sardinia with organetto and launeddas, classical-contemporary treasures, Scottish high-speed folk, refreshing vocals to accordion from all points of the compass as well as Dutch sound aesthetics, unconventional cello and a moderator with cult status.

Pulsating alternations of solos and ensemble pieces and exciting interactions between the musicians are at the heart of every Akkordeonale.

As different as the personalities, cultural backgrounds and playing styles may be - the common language of music creates a lively understanding that does not care about borders and barriers.

A talent for improvisation, spontaneity and the fun of performing together combine the musical wealth of the individuals in the ensemble to create something new, something that has never been heard before.

A celebration of sounds! Adrenaline and balm for the soul!

See - Listen - Enjoy

Musicians:

Helena Sousa Estevez (Spanien)
Classical contemporary treasures
Andrew Waite (Schottland)
High-Speed-Folk
Franziska Hatz (Österreich)
Wild Styrian cheerful nature
Peppino Bande (Sardinien)
Sardinian specialties
Servais Haanen (Niederlande)
The Master of Fine Sounds
Roberto Tangianu (Sardinien)
Launeddas
Johanna Stein (Deutschland)
Cello

About the Akkordeon

Af­fec­tion­ately known as squeeze­box, belly pinch­er, hell’s bel­lows, or asth­mat­ic worm, the ac­cor­di­on has at least as much charm as it has names.

And though many do love this in­stru­ment, play it them­selves or have one stowed away in the at­tic, few know about the wild ca­reer and the world wide in­flu­ence of this head­strong won­der-box.

Like almost no oth­er in­stru­ment, the ac­cor­di­on (in­ven­ted in 1829) has spread across fron­ti­ers and con­tin­ents at a breath­tak­ing pace.

Massively ex­por­ted to colon­ies and im­por­ted through the hand lug­gage of emig­rants, it has es­tab­lished it­self amongst mu­si­cians across the whole world.

It’s hard to talk of the ac­cor­di­on. The in­stru­ment has again and again been mod­i­fied, re­con­struc­ted, re­fined or been de­veloped, ac­cord­ing to loc­al needs, in­to a vari­ety of dif­fer­ent types of in­stru­ments, that dif­fer in size, sys­tem, form, pitch range and play­ing tech­nique.

Kindly supported by:

Akkordeon Magazin Heimat PR Bernhard Zimmermann Hohner